Posts Tagged ‘Full Frontal Nudity’

True Blood Showcases Full Frontal Nudity

True Blood is an Alan Ball (Six Feet Under) series on HBO about a group of naked and kinky vampires co-existing with humans in Bon Temps, a fictional town in Louisiana.

USA Today said of True Blood: “Sexy, witty and unabashedly peculiar, True Blood is a blood-drenched Southern Gothic romantic parable set in a world where vampires are out and about and campaigning for equal rights. Part mystery, part fantasy, part comedy, and all wildly imaginative exaggeration, [True]Blood proves that there’s still vibrant life — or death — left in the “star-crossed lovers” paradigm.

Just kicking off its second season, True Blood is bound to deliver another season of gratuitous full frontal nudity. Nothin’ like naked Cajun Vampires to get your blood going!

Ryan Kwanten
as Jason Stackhouse

Sookie’s brother and Bon Temp’s man whore. Jason is always in trouble, always looking to get laid, and spends more time in some form of naked than anything else.

Stephen Moyer
Bill Compton
The star-crossed lover Bill Compton holds a tourch for Sookie, and gets his share of nude scenes as well.

Sam Trammell
Sam Merlotte
Shapeshifter and generally nice guy, is the successful owner of Merlotte’s Bar. He looks damn hot naked and in a bathtub… when he’s not a dog.

Nelsan Ellis
Lafayette Reynolds
This Big Black Stud is the town’s pusher for “V”, and as GAY as you can get.

Alexander Skarsgard
Eric Northman
Eric is the head vampire in the area and owner of Fangtastic, a vampire bar. He’ll flop his cock out on command as well.

Get All of the True Blood Actors Fully Nude!

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26 Jun 2009

True Blood Studs Get Naked

Author: admin | Filed under: Alexander Skarsgard, naked male celebs, Nelsan Ellis, Nude Male Movie Scenes, Nude Pictures, Ryan Kwanten, Sam Trammell, Stephen Moyer, True Blood

Tags: Alexander Skarsgard, Full Frontal Nudity, naked male celebs, Nelsan Ellis, Ryan Kwanten, Sam Trammell, Stephen Moyer, True Blood

Nude Male Movie Scenes:
Edward Norton, American History X

Starring: Edward Norton, Edward Furlong, Stacy Keach, Avery Brooks

Nude Scenes: Edward Norton bulked up to play this part and showcases his new-and-improved body in the disturbing shower scene. Despite the content, you get some great shots of Norton’s round, tight ass and some full frontal nudity as well. There are also male extras running around in the nude. Definitely pause-worthy.

Amazon Review:

Buy the DVD

Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nominated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn’t horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character’s eloquent defense of racism is disturbingly persuasive–at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation.

The film’s basic message–that hate is learned and can be unlearned–is expressed through Derek’s kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny’s mind, martyred) for the killing of two black men. Lacking Derek’s gift of rebel rhetoric, Danny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment, and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton’s creative intervention during post-production) manages to juggle these qualities–and a compelling clash of visual styles–to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact.